Where was I? Oh, yes, the angst and drama surrounding vampire/mortal relationships. As it turns out, TV has been a wonderful place for these to play out. sonetka alluded to some of that going on in Buffy, but I never watched Buffy regularly. Instead, I watched two amazingly similar shows about vampire detectives, separated in airtime by a little more than a decade.
The first series, Forever Knight, I first saw during my impressionable youth, watched regularly for a while, lost track of, never finished, and then rediscovered upon joining Netflix during the dark days of graduate school. It was a Canadian show that had made its way down to the US, to which I was introduced by my aunt and uncle from Chicago, who could always be counted upon to feed my interest in fantasy. It was an awesome show, in a really-bad-early-90s-special-effects kind of way. In the first season, for example, the transformation to vampire mode was signified by the screen darkening and a yellow rectangle of light appearing in a bar over the vampire’s eyes, because they hadn’t yet figured out how to change just the eye color. But these are minor issues, I assure you.
The show is pretty much entirely driven by the main character, Toronto police detective Nick Knight.* Nick has been a vampire for 800 years now, and for the last several hundred has been looking for a cure. As the opening credits narration so eloquently puts it (in the voice of Nick’s nemesis and master, no less): “He was brought across in 1228. Preyed on humans for their blood. Now he wants to be mortal again. To repay society for his sins. To emerge from his world of darkness. From his endless… Forever (K)night.” Can you see where all the tension between the pros and cons of vampirism and mortality might come in here?
Here are the dichotomies, as embodied by various major characters: